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But as soon as I enable multicam I only hear Track 1 / camera 1 audio, which is what the sequence defaults to.
ADOBE PREMIERE PRO CS 5.5 VIDEO CUT OFF FULL
When I first nest the source sequence in to my target sequence and don't enable multicam I hear the full mixed sequence as intended. Which track am I hearing? Well, it depends. But when I nest that sequence in to my target sequence for editing - and enable multicam - all I hear is 1 audio track instead of the 3 mixed tracks in my source sequence. I have 3 audio tracks (2 stereo and 1 mono) & 2 video tracks all synced up in my source sequence. Perhaps James and I can both benefit from a solution to my issue since it sounds like we are doing similar work.Īdobe Premiere Pro CS5 & CS5.5 * Editing multi?camera sequences I am having a similar problem, so rather than create new thread, I thought I would share it here. You can also select all clips on a track to copy/paste them all to another track at any time to preserve a copy of the current state of your edit (for example, your first rough cut through the whole multicam) right above or below the tracks you're actively working on.ĭoes that point you in the right direction? To experiment on this without fear, simply make a duplicate copy of your target sequence (In the program window, select the target sequence, then right click>duplicate). Finally, re-link and/or re-group any audio and video tracks that should be tied together and not move in relation to each other any longer. Now you can use the rolling edit tool, or others, on just the audio track to move the audio transition points as desired to create the L cuts. One way is to UNLINK the audio and video clips on both sides of a cut (drag to select the clips, right-click to get a pop-up menu), then change just the audio track to a different camera as desired. If I understand, you have already done your rough cut in the target sequence and want to create L Cuts in it? What solutions are possible for these cases? Thanks again in advance. During this whole take I want to hold on Angle 1's video track though. Halfway through Angle 1, I want to switch to Angle 2's audio (the lav audio for one person is on Angle A while the other is on Angle B). This doesn't seem to be working for me :)Ģ. From there I'll cut down selects, then I'd like to change the audio angles with the cuts on the timeline. Note that I tend to place the entire multiclip/nested sequence onto the timeline. Angle 1 then cut to Angle 2 but I want to hold on Angle 1's audio. Here are several situations that I'm having trouble with in terms of holding on particular audio tracks.ġ. I then drag this sequence as a Nested sequence into my Timeline where I am starting to assembly edit. I've created a sequence with the 3 clips and they've been synchronized by Timecode just fine. I'm editing a multi-camera sequence composed of 3 clips with synched sound. So my approaches are from an FCP standpoint :) Hi everyone, coming from FCP 7 and getting myself acclimated to Premiere Pro as well.